A wall painting from Zimri-Lim’s palace in Mari (Tall al-Hariri), which is known as “The Ordinator of the Sacrifice” (ca. 1780 BC) and hangs in the Louvre.
Qalʿat al-Marqab, Fresco in ceiling of chapel sacristy, 12th C.
Archaeological finds from Raqqa, exhibited in the Damascus National Museum
Drawings at the entrance Qasr al-Hayr ash-Sharqi
Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia
Stories
Raqqa – “East of Raqqa” site – Tall Aswad – shard
Qalʿat al-Marqab, Fresco on the ceiling of chapel sacristy, 12th C.
Modern painted panel with ‘Ajami decoration in Ziad Baydoun´s workshop in Malaysia
Pre-drawn patterns of a contemporary ‘Ajami decoration
Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus
Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus
Bayt Wakil (Aleppo-Zimmer), Painted wooden panel, Mary and Jesus
Modern painted panels with ‘Ajami decoration in Ziad Baydoun´s workshop in Malaysia
Detail of a decorated wooden panel of the Damascus Room in the Dresden Museum for Ethnology
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Aliya Alnuami is finalising her ‘Ajami work
Waqf Ibshir Mustafa Basha, south western corner with former sabil
Izraʿ, al-Jamiʿ (Mosque) al-ʿUmari – the prayer niche
al-Matbakh al-ʿAjami, ground plan drawing before the partial demolition
Motifs of the decorated wooden panels of Beit Ghazaleh
Main facade of Jamiʿ at-Tawashi mosque (video)
Tall al-Mishrifa (ancient Qatna), view of the historic citywall, within which the village is located
Raqqa – “East of Raqqa” site – Tall Aswad – glazed pottery
Sirjilla, andron, 5th c.
Rumi motifs on the Aleppo Room
Raqqa – “East of Raqqa” site – Western Palace, Glazed pottery
Application of the relief paste of a contemporary ‘Ajami decoration
Pre-drawn pattern of a contemporary ‘Ajami decoration
Outlining and shadowing of motifs of a contemporary ‘Ajami decoration
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A wall painting from Zimri-Lim’s palace in Mari (Tall al-Hariri), which is known as “The Ordinator of the Sacrifice” (ca. 1780 BC) and hangs in the Louvre.
